About the exhibition
Disorientation does not begin with the wandering mind, but with an excess of questioning. In this context, art is not considered a linear path or a complete narrative, but rather a constantly shifting one—moving between memory, origin, and transformation.
In Exodus through the Maze: Disorientation as Fate, Murad explores art as a practice influenced by existing visuals. Art does not emerge from nothing; it does not announce clear beginning or define itself by rejecting what came before. Instead, art is derived from everyday imagery and experiences, as well as the ongoing development of past visual languages. Murad creates a space that explores tension, deconstruction, and renegotiation.
The use of collage here is not merely a formal technique; it is a stance that recognizes and builds upon all previous art forms. Innovation is not a radical rupture, but a form of critical continuity that merges new and inherited qualities. The works on display reference elements of modern and contemporary art, not to glorify or revive them, but to present them within a new visual framework that undermines their apparent references. The image becomes open to reinterpretation.
Some works take the form of mazes—not as symbols of loss, but as universal, visual structures that reflect perception’s nature. They do not seek a fixed center or a single grand narrative but instead move through intertwined paths of doubt and certainty. Within these labyrinths, the eye is less guided than tested. The viewer is encouraged to experience the work rather than simply read or understand it immediately.
Throughout the exhibition, a tension emerges from the struggle between order and chaos, planning and disruption. This tension goes beyond color or form; it reflects our relationship to knowledge. Knowledge is no longer certain but a delicate negotiation between what we know and what we do not—between memory and experience, vision and interpretation. Here, abstraction is not purely aesthetic but a conceptual approach that suspends meaning rather than erasing it.
Exodus through the Maze: Disorientation as Fate emphasizes lived experience and views wandering not as a cognitive failure but as a form of critical awareness. Maybe the goal isn’t to exit the maze but to explore it through its tensions, generated visuals, and the creative possibilities it presents, all while looking ahead to the future.
About the Artist
Mouteea Murad’s work sees a unification of spirituality and formalism, continuously drawing influence from the geometric forms and motifs of Islamic art. Murad began his career as a painter working on monochromatic, expressionist compositions that depict the anguish of modern man. In 2007, his work took on a renewed outlook that redirected his painting style, exploring relativity, spatiality, and the visual dynamic of geometric forms.
In his compositions, the artist builds on the breakthroughs of previous movements, experimenting with automatic brushwork, the illusionistic perspective of Op art, the symmetry of geometric abstraction, and the collapsing planes of Suprematism. Highly influenced by artists such as Paul Klee and Wassily Kandinsky.
